Designer: Nelly Saunier Photo Credit: Alexis Lecomte |
Designer: Christian Dior Photo Credit: Sophie Carre |
However, it is often the embellishment that captures the eye and the imagination, a cascade of feathers, a jewel-encrusted torso, or a field of embroidered flowers. The embellishment of clothing, long the privilege of the aristocracy, became in the nineteenth-century with the advent of the House of Worth a codified accessory of the titled and the wealthy. Starting in the mid-nineteenth-century specialist craft houses were established in Paris to create these flights of fancy. For generations artisans concocted the dreams of the designers, but as the last century ended, the craft families began to wane.
Designer: Broderies Vermont Phot Credit: Alexis Lecomte |
Karl Lagerfeld, of Chanel, was that appellation needed, I wonder, began to purchase these family-run ateliers to ensure the craftsperson and the coutiers� survival. Several of the established houses now form the Paraffection branch of the House of Chanel. Their trade is not limited to Chanel, which would be short sighted, but is open to the other couture houses. A short list of the houses includes, Lesage, embroidery,Lemarie, feathers and flowers, andMaison Michel milliner and hatter.
Designer: Broderies Lanel Photo Credit: Alexis Lecomte |
The search led to several blog sites in English and French that speak to these crafts in more depth than I can offer and they are listed below. Additionally a new book was printed this season, Haute Couture Atelier: Artisans of Fashion, by H�l�ne Farnault and the images for this blog come from that book through a book review at this blog site Mix and Chic: MixandChic
Designer: Broderies Lanel Photo Credit: Alexis Lecomte |
Additional Sites:
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